College

Good Advices

R.E.M. – Good Advices

Today my best friend sent me a link to a video from some VH1 program back in 1987. It was a VJ doing the usual VJ thing with Natalie Merchant there to chat about things during the breaks. It was super awkward because the VJ clearly didn’t know anything about 10,000 Maniacs and Natalie clearly didn’t want to be there, but there she was. You can watch the whole thing if you want to but I am going to link to the relevant part at the mark here. Go ahead, watch him ask Natalie about her shoes.

Ok, it kind of drags on a bit but I want to talk about shoes. Natalie’s shoes, my shoes, people’s perceptions of shoes. First of all, I love that Natalie says they are her dream shoes. I also have had dream shoes. Shoes where you find them and you immediately feel like you are complete. Shoes that state, this is me, I am grounded in these shoes. For me, my dream shoes said to the world, everything you need to know about who I am can be read by looking at my shoes. And you should always look at people’s shoes. Always. If, like the interviewer, you are puzzled by my shoes (or Natalie’s shoes), well, sorry, you just didn’t get it. The shoes will speak to the right people in the right way. I have based my life on it. “When you greet a stranger, look at his shoes” is good advice that has never steered me wrong.

Natalie said her shoes remind her of her grandfather’s shoes. My shoes were old man shoes too. Literally, they are men’s shoes. And let me tell you, Natalie Merchant is tiny and finding shoes in her size is probably no easy task. My old man shoes were a men’s size 6. They rarely come that small. What’s great about them? They are sturdy. They are practical but not in a “practical shoe” way. There’s a tiny bit of a heel but not like a woman’s shoe heel, it’s the whole back part of the shoe so it’s stable. And they lace up so you can make them nice and snug, unlike the slip-on nature of so many women’s shoes. They are a little dressy but they are comfortable. You feel strong and confident in a good pair of shoes like that. Perhaps most importantly, you will not look like everyone else in these shoes.

When I got to college I think I had some regular sneakers, maybe a pair of Keds, and probably a pair or two of flats to go with skirts or dresses. I’m sure I had boots for the winter but after two years getting schooled up in Maine as to what is appropriate footwear for snow, they were likely nothing like the boots my classmates in Pennsylvania wore. By my sophomore year I was really on the hunt for “my” shoes. There is nothing like the conformity of your peers to make you long for something that will set you apart. I knew exactly what I wanted but I had no idea where to find it. I had looked in thrift stores and the big army/navy store I. Goldberg’s in Philadelphia, but I kept striking out. I didn’t want combat boots, I didn’t want Doc Martens, I wanted something more refined, slimmer.

My work-study job was in the theater department as a dresser. Sophomore year the spring musical was Sweeney Todd, set in Victorian London, with a large cast and a good number of male roles. We made the costumes in the costume shop ourselves but one day I came in and saw they had been to the storage space off campus and come back with shoes for everyone. There they were. MY shoes. Black, lace-up, ankle height, low-stacked heel, old man shoes. I asked where we had bought them and was given the name of a men’s shoe store down by the bus station in Philadelphia, near Chinatown. When I finally had enough money saved up I took the train into the city, found the shoe store and left with my dream shoes in hand.

I wore them everywhere with everything. Summer, winter, rain, no matter. I had to have them resoled twice and the heel repaired once. I felt invincible in them. I loved nothing more than taking some $20 bills, folding them in thirds and putting them in my shoes, then lacing them up tight and heading off on adventures; sleeping out for concert tickets, taking the train up to New York or Providence. No one was ever going to guess I had over $100 in my old man shoes. Eventually they developed a crack by my pinky toe that was their undoing. I went back to the shoe store in Chinatown and bought a second pair, though they had changed ever so slightly, now with a cap toe design, that was just never quite as comfortable as the originals. I still loved the second pair but at some point I must have allowed my mom to get rid of them because I wasn’t wearing them any more.

Fast forward to middle-age and not being able to wear heels but not wanting to wear what look like orthopedic shoes either, I started looking for my dream shoes again. I had a couple of different attempts with women’s shoes that were ok and I felt sufficiently comfortable in them, but they were a compromise. I tried a pricey pair of Frye boots that looked online as if they might be close enough to work but when they arrived and I tried them on they were not right. Too pointy, the heel just a tiny bit too high. I sent them back and resigned myself to my sensible mom shoes but couldn’t stop hearing, “Oh, how do I feel about my shoes? They make me awkward and plain, How dearly I would love to kick with the fray…”

Then just after Christmas of 2019, I was looking for something on Etsy and lo and behold, someone was selling my shoes. They were a tiny bit too big (a men’s 6 1/2 now being the smallest they make), a little bit too shiny, and they had the cap toe that my second pair had, but they were the actual real Stacy Adams shoe that I wanted, at less than half the price. I was trying hard to not let myself spend the money on them but my husband said I never spend money on myself and I should get them.

They arrived in January of 2020. I wore them to the office a few times but they were on the stiff side and the leather sole on the carpeting coupled with being a bit too big meant I kind of felt comically slippy in them. I was determined to break them in but not really sure how to go about it. When the pandemic arrived and shut everything down, I put them away and didn’t really think about it for a year and a half. I wore almost no shoes at all during the 18 months I worked from home. I was either in slippers or flip-flops around the house and sneakers if I went out for a walk or the infrequent forays to the store. Once we were ordered back to the office in the fall of 2021, the other shoes I used to wear all the time to work had become so uncomfortable I could barely walk in them. It was time for my old man shoes to come back out.

While I would prefer to be working from home full-time, on the days I have to go to the office I lace up my shoes and look down at my feet and it gives me the little boost I need to get out the door. The snug fit around my ankles shoring me up both physically and emotionally. I see them and I see the memories of my old shoes and all the places and things I did in them. I feel like I have my armor suited up for the day, my trusty shoes ready for anything. I may be a middle-aged mom at a desk job but you can look at my shoes and know that’s not the whole story.

Almost Cut My Hair

Crosby, Stills, Nash & Young – Almost Cut My Hair

My hair has gotten really long (for me) but I’m still not really ready to go to a salon to get it cut. I did chop off at least five inches last year, I did it myself and it was a fairly decent job, I think. My hair is wavy so it wasn’t really noticeable if it was uneven. Lately, the scissors have been calling to me but I’ve been trying to resist.

I just got my booster shot this evening so maybe in a couple of weeks I’ll be feeling like I could venture in to somewhere to have someone else cut my hair. Part of my issue is also that I don’t know where to go. I don’t like spending a lot of money and the place I went to most recently (two years ago at this point) didn’t survive the initial shut down.

This song reminds me of high school, particularly once we’d moved up to Maine. My older sister and I were used to a New York sense of what was cool and, when we first arrived, we really stood out from the rest of the Maine kids. We would sit around in the evening talking about stuff and invariably, the topic would turn to our hair. My mother got so tired of it she forbid us from talking about our hair more than once a day.

I also came across some old pictures of myself the other day and I still think the way my hair looked during my junior year of college was pretty great. How do I show up at the salon with a picture of myself at 20 to show them how I want my hair cut and avoid coming across as a woman deep in the throes of a midlife crisis?

Its the End of the World As We Know It (and I Feel Fine)

R.E.M. – It’s the End of the World As We Know It (and I Feel Fine) – Providence, RI, 10/19/1987

I posted this song back in November, when we had an earthquake on the morning after Pennsylvania put Joe Biden over the top. I had really wanted to wait to post it until today, once we were sure we had actually rid ourselves of the Orange Menace, but how can you overlook the rare occurrence of an earthquake in New England?

In that post, I mentioned that I had a live recording from the best show I’ve ever seen, R.E.M. at the Providence Performing Arts Center, on the night of the stock market crash, October 19, 1987. I picked up the bootleg cassettes a year or two later at a record store in New Haven. This morning, I fired up that USB tape player I got for my birthday and transferred it over to SoundCloud. I think the intro to the song is especially relevant today, please give it a listen.

I am so relieved that today went off without a hitch. I am so glad we have a woman vice president. I am so thrilled that Biden rejoined the Paris Climate Accord, killed the Keystone XL pipeline, revoked the Muslim travel ban, and on and on. In the Oval Office, he put up a big portrait of FDR and a bust of Cesar Chavez. His cabinet appointments are diverse and inclusive, and science and experts are welcome once again. That deserves a standing ovation.

 

It’s the End of the World as We Know It (And I Feel Fine)

R.E.M. – It’s the End of the World As We Know It (And I Feel Fine)

Oh. My. GOD. You guys. I didn’t want to be cheesy, or premature, in playing this song, but there was a LITERAL FUCKING EARTHQUAKE AT MY HOUSE THIS MORNING!!!!!!!

AN. EARTHQUAKE. Epicenter in southeastern Massachusetts. 4.0 on the Richter scale.

I am sorry, but I can NOT get over that. It was loud and rumbly, like a truck dropped a dumpster right outside our house, lasting a few seconds. It’s not like I live in California and can just overlook the symbolism here because this kind of thing happens every day. An earthquake at a place called Bliss Corner. I mean get the fuck out of here!!! There is some karma coming and I am here for it!!

I can’t wait. A woman whose parents were immigrants from India and Jamaica is going to be the Vice President after the virulently racist administration we’ve had to endure these past four years. What a giant slap in the face to Stephen Miller and all the other ghouls infecting the White House. I can’t wait to see the string of scientists and experts that are allowed to flood back into our government. A First Lady who is an educator with a PhD (and a master’s from my alma mater – we were there at the same time!). Kick that fucking Betsy DeVos to the curb, Jill! I can’t wait to rejoin the Paris Climate Accord, to undo everything Cheeto has done by executive order or departmental guidelines. To return to treating our allies like allies. I read that they rang the bells in Paris and had fireworks in London (handy leftovers from Guy Fawkes Day). The bully is on his way out and the world is relieved.

It is the end of the world as we know it, and I really do feel fine.

The best version of this song is from the show I went to in Providence, RI (where they most definitely felt the earthquake today) on Black Monday, October 19, 1987, and no one can ever change my mind. I got a usb cassette player for my birthday so I can digitize my bootlegs and had intended to do that before I would post this song but was pre-empted by an actual earthquake and my need to post this song immediately!

Stomp!

The Brothers Johnson – Stomp!

How much do I love the videos of people celebrating and dancing in the streets? SOOO MUCH!! It’s times like this I really miss living in a big city. That collective feeling of relief and joy and just wanting to share that with people.

I spent a couple of hours this morning helping to clean out the headquarters for our local Democrats and taking all of the stuff back to people’s houses. The numbers hadn’t changed from where they were the night before and we were all fairly quiet, but calm. It felt like things were headed our way. I dropped some stuff off at one place and headed to the store. While I was in the store my phone started buzzing and my kids and husband had all texted me the news that Biden had won Pennsylvania. I thought about all of those Election Defenders and people partying outside of the Convention Center in Philadelphia to bolster the poll workers inside and drown out the Trumpsters. They brought spirit and fun and movement, while the MAGA idiots just stood there trying to look menacing and failing in the face of people just expressing happiness.

I made one more stop to drop off some signs, then headed home, got cleaned up, and changed into the most Philly t-shirt I have. I got it at a bike shop back in the 80s when I was going into the city as often as I could from my college campus out on the Main Line. It’s bright yellow and has Ben Franklin riding a bike and a Liberty Bell. I proudly put it on as a thank you to Philadelphia and those out there guarding the vote count, for getting us over the all important electoral college tipping point. As a nice little wink to them, the address of the former bike shop (now a ramen bar) is about a block away from where they were holding the outdoor dance party.

I harbor no illusions about Joe Biden being a visionary president, and we still have to fight for the two Georgia Senate seats and deal with the hated trio of McConnell, Collins, and Graham for six whole more years. We lost seats in the House. But we grabbed our nation by the scruff of its neck and yanked it back from the fascists and their ignorant, racist, bigoted supporters. We are not in the clear, those people are not going anywhere, plus there’s still the lame duck to get through. And let us not breeze past the significance of Kamala Harris. A woman, a woman of color, a daughter of immigrants, an HBCU graduate, is going to be the Vice President. This is a major slap in the face to the white supremacists that have been roaming the halls of the White House these last few years. Take that Stephen Miller!

Cool

Pylon – Cool

Ok! November 6th, three days post-election, still counting. Cool.

Obviously, yes, count every vote. Every vote counts. I am just impatient. And every minute that passes without Biden being declared the winner is another minute that Trumpsters can try and fuck it all up. Runoffs and recounts and lawsuits, oh my!

I was awakened this morning by a text from my daughter that just read, “BLUE GEORGIA!!!” 💙 I would dearly love for Georgia to go to Biden, and even better if we can pick up those Senate seats.

It seems fortuitous that today is the official release date for the Pylon box set. I pre-ordered mine and received it early so I have already pored over the book filled with pictures and details I hadn’t seen before. The four albums, two reissues and two records of singles, b-sides, and previously unreleased songs, are beautiful. My stereo is not very high end so I can’t say that I really notice a difference between my originals and the new copies of Gyrate and Chomp but I am delighted to have them and I am really excited about the two other records, Extra, and Razz Tape. Now I have the song Cool on vinyl. I had it on the CD compilation called Hits that came out in 1989 (which is when I saw Pylon play at City Gardens and got my beloved t-shirt), but it’s great to have it included on these records. I was so happy about all this that I even posted an unflattering picture of myself in the t-shirt on Instagram. 31 years ago and today. Some things never go out of style.

If the box set is out of your price range (this was a combo birthday/Christmas present for me) you can buy Chomp and Gyrate separately and you can stream Extra and Razz Tape. Something to do while we wait for Georgia to be called. Come on!

Still Ill

The Smiths – Still Ill

Next up on my concert calendar is Johnny Marr. I never posted an entry about the time I saw him 4 1/2 years ago but I did write it down and I’m just so excited about the show, that tonight I went back and reread it. I don’t want to post the whole thing because that feels weird this much later but the concert exceeded my expectations last time and let’s just be honest, it’s because of all the Smiths songs he played. I like his solo material and if he didn’t bust out any Smiths songs, it would still be a good show. However, those songs, they are not just songs.

One of the things that strikes me as I read what I wrote, my emotions were on full display at that show and I just let it happen. I think I was caught off guard. When he played Panic as the second song, I was really not ready. It came so early! The crowd responded with cheers and dancing, and everyone sang along. I am normally not someone who condones audience members joining in for anything but the most obvious of performer encouraged participation, but you didn’t know how badly you wanted to be in a room full of people singing, “Burn down the disco, hang the blessed dj, because the music they constantly play, it says nothing to me about my life…” until you were doing it. Likewise with Headmaster Ritual and Bigmouth Strikes Again.

Since The Smiths broke up while I was in college, it’s not like there are albums from my early adult years to muddy the waters. All of their songs are a perfect little time capsule of those mid-80s, highly angst-ridden and lovelorn years. And so it was when I finally got to hear songs like Please, Please, Please, Let Me Get What I Want, or How Soon is Now, I was overcome by a wave of feelings that I hadn’t felt in decades. When he played Still Ill, I’m here to tell you that it was like the old days and that night, the body definitely ruled the mind as tears and sweat dripped down my face in equal measure while I danced the same way I used to in my dorm room. The last song of the night? There is a Light That Never Goes Out. I was toast.

So this time, I am aware. I won’t say I’m prepared because those songs, and the memories and emotions that are tied to them, are strong enough to knock me off my feet. In a good way. Now. I like going to shows and having my breath taken away. I love to be reminded of the power of music and to feel it, truly, physically feel it. Maybe he won’t play that many of the old songs and it’ll just be a show. Or maybe he’ll play Ask and Half a Person or The Boy with the Thorn in His Side, and I’ll be toast all over again.

Feeling Gravitys Pull

R.E.M. – Feeling Gravitys Pull

It is Michael Stipe’s birthday so I figured that was a good reason to finally write this post I’ve been mulling over for more than a month now. That I waited until nearly midnight just goes to show that these things are sometimes hard for me to actually commit to writing. It’s so much easier when it stays up in my head, where I know what I mean and don’t have to try to lay it bare.

Just after Thanksgiving, a friend from Instagram posted a very intriguing picture. Actually, the picture would have meant nothing to me but the caption was, “Michael Shannon and friends perform Fables of the Reconstruction.” Um, what? So many questions. 1) Who is Michael Shannon? 2) Why? 3) Why Fables? As opposed to, say, any of the other I.R.S. albums? 4) Had I known about it, and had I been able to go (no on both counts) would I have? The jury is out.

I have since looked up who Michael Shannon is but that did not answer anything for me. I also looked up the event itself and learned that not only was this happening, but the stage show was accompanied by live drawings of the songs projected behind the performers as they played them. I asked my Instagram friend what the drawings were like and she said she couldn’t see them from her angle. But then the artist himself commented with a link to his Instagram with the drawing(s)! Please go check it out.

So then I was really torn in an after-the-fact dilemma of would I have had the guts to go. I really loved the drawings and the idea of witnessing this illustration on the fly of my favorite album would have been really cool. But other people performing the songs from my favorite album of all time? I’m not sure. A number of years ago A.V. Undercover had “Driver 8” on the docket and it was the last song left in that season, meaning no one else dared to cover it and The Walkmen were reluctantly tasked with it. I didn’t make it through watching the whole video. It’s not their fault, really. I’ve often debated with myself if I were in a band and presented with the A.V. Undercover challenge and an R.E.M. song were on the list, would I say we should do it because I wouldn’t want anyone else to, or avoid it for fear of not doing it justice. I’m not sure why Michael Shannon and Friends picked Fables, unless it’s their favorite too and they are not similarly plagued by these thoughts, but I feel like some of the songs would be really hard to do. To be sure, “Driver 8” and “Maps and Legends” along with most of Another Side (as opposed to A Side) could be pretty straight forward. But where would you even start to try and cover “Feeling Gravitys Pull” or “Life and How to Live It” – songs that, to me, are so endowed by their creators with an other-worldly quality that it’s simply not possible for mere mortals to touch them.

A few weeks later, a different Instagram friend, who is in a band out in San Francisco, posted a video snippet of them at a party doing a little preview of their project to perform Fables. It was just a couple of acoustic guitars and a guy singing “Driver 8” in a living room. Didn’t I sit around with my friends in high school playing guitars and singing songs by bands we liked? Of course. My friend Tom and his band even did “Can’t Get There From Here” at a house party the summer after my freshman year of college. That seemed fine. But that was also before I ever saw R.E.M. myself. [And here I have to just interrupt this story to say that, OMG, it happened again at the office Christmas lunch that people started talking about concerts and someone asked what was the best concert you’ve ever been to and I had to just say, “we already covered this” and shut that conversation down.] It is just that no one, ever, will be able to do what Michael Stipe does with these songs. I know that they aren’t trying to do what he does. I’ll bet that at 59, even Michael can’t just summon that up on demand. After all, isn’t that why they disbanded? I guess I am just having a hard time understanding what would make people take the leap from, hey let’s hang out singing our favorite songs off of Fables, to let’s perform the whole album in a club in front of people.

Clearly, as was already known, I have issues with R.E.M. and me and being out in public. It wasn’t always this way. In college I proudly wore my pink R.E.M. bicycle shirt all the time. I spent over a year searching for shoes just like the ones Michael is wearing in this video (close-up at 1:50) and then wore them every day because “when you meet a stranger, look at his shoes.” Maybe it’s because I spent so much of my 20s trying to emulate Michael and falling woefully short that I find this so perplexing. Maybe people who are not trying so hard to be something they can never be are able to just have some fun with songs they love.

In the end, I wasn’t there, I won’t be there, and in these dark times, I feel like creative people should bring whatever light to the world they can. And I really like those illustrations.

Crazy (live)

R.E.M. – Crazy (live cover of a Pylon song)

A friend of mine recently posted about being taken to a concert by her parents when she was very young, a toddler really, and how you don’t see that happen these days. The very next day she saw Robyn Hitchcock at a small venue where a couple had brought their two young children under four to the show. It didn’t go well.

This whole situation reminded me of this one time at work a few years ago, when we had an office lunch outside in the summer, and the conversation turned to concerts we’d been to. A younger guy in our department, he was maybe 30 at the time, mentioned that he had always felt kind of cheated because he’d never been able to see some of his favorite bands when they were still touring. For example, he lamented that his mother could have brought him along to see R.E.M. play when he was a toddler. The very idea horrified me. I didn’t even like having frat boys at R.E.M. shows because of their lack of maturity, I sure as hell wouldn’t have wanted actual pre-schoolers in attendance. Hoping to end that line of thought I said that as a mom I so enjoy going out on my own, to have a break from the kids, and would never want to bring them along because I wanted to enjoy myself and not be worried about my kid.¹

But the nightmare didn’t end there. Somehow the subject changed to what was the best concert you’ve ever seen. I can’t remember what most people answered because I was gripped with panic. What was I supposed to say? My best concerts are the best I’ve seen because of how they left me destroyed and exhilarated at the same time. I couldn’t reveal anything like that to co-workers. Of course I wouldn’t have to say that but I was afraid that even just naming the show would betray a level of privacy that I would then never be able to regain. I debated lying, just pick some show that everyone would nod about and move on to the next person, but I worried that my body language would give me away. I am sure I am the only person at the table who was overthinking this thing to death. Probably because of the young co-worker’s earlier mention of having been left at home with a babysitter instead of at an R.E.M. show, I was really sweating it. If I said the best show I’d seen was R.E.M. at a 3,000-person, beautiful old theater in Providence, Black Monday 1987, would he press me for details?² There in front of everyone? I would probably have suddenly been a much cooler person in his estimation but I have spent decades obfuscating my devotions and this hardly seemed like the opportune moment to trash it all.

Just as it was nearly my turn to have to come up with something, our boss arrived and the question was to put to her. She was in her mid- to late-sixties and she answered without hesitation, “The Beatles!” I immediately declared that no one could top that so we should all just stop trying. Crisis averted.

But it bothered me for days afterward that I had been so tormented about it. I still don’t know what I would have answered. Why should it be so difficult for me to say what my best concert experience was? I toyed with the idea of telling him separately later but ultimately decided against it. I am still plagued by the fear that this knowledge in the wrong hands would be my undoing. Whether through cluelessness or maliciousness, I never wanted anyone to be able to unmask me. If people don’t know what your buttons are, they can’t push them.

When your favorite concerts are life-altering events, intensely personal defining moments, giving that away is too hard.

1. I would take my daughter with me to a show if she showed any interest but it’s only been in the last two years or so that I would have felt comfortable doing so.

2. Black Monday, October 19, 1987, the largest single-day crash in stock market history. Also, now a Showtime series. Something tells me they don’t include the awesome R.E.M. concert that night in the series.

P.S. Coincidentally, today (11/18) marks the 10th anniversary of the last R.E.M. show ever. My own last R.E.M. show was, holy shit, more than 29 years ago.

P.P.S. While I have bootlegs (tapes) of a number of the shows I went to, so far this is the only video I’ve found from an R.E.M. show I was at. Not the last, but close to it. Even sharing this video here is hard for me and I’m only doing it because it’s on YouTube and there’s nothing preventing you from finding it on your own. Dodgy quality but what do you expect for 29-year-old video filmed on a smuggled-in video camera?