The Police – Next to You
I was reading up a little on the early days of the Police and one of the things the Wikipedia article mentioned was how they had tried to shift their sound to be more punk because that was selling in England in 1977.

But they were all much better musicians than those bands. I was always pretty amazed by Stewart Copeland’s drumming. There’s no denying his drumming gave them their signature fast driving sound. But as I listened in the car the last couple of days, I really noticed Sting’s bass playing. You can hear his interest in reggae coming through on some songs. Of course Andy Summers was an accomplished guitar player, and ten years older than Sting and Stewart Copeland.
I suspect that my brother, who had been listening to all the same music I’ve been posting about, actually really liked that the Police were good at their instruments. Even if he loved the Ramones and the middle finger to the establishment that punk had at its center, he also appreciated talented musicians playing more complex songs.
I might be biased because I was young and impressionable but to me, early Police songs sound just like what you want from a band. Like a lot of people, he was less enamored with the later albums. I think he has no use for solo Sting at all.
The other thing I learned from Wikipedia was that Stewart Copeland’s dad was a founding member of the CIA and a raging conservative. His mother had been a UK secret agent during World War II. Wild.