Life and How to Live It

R.E.M. – Life and How to Live It

My favorite album, Fables of the Reconstruction, is thirty years old today (according to Wikipedia). I decided to write an essay about how important this album has been in my life and give Medium a try at the same time. You can read the whole story here: Thirty Years of Fables.

When R.E.M. disbanded, after my initial shock subsided, the first thought that came to me was, “there wasn’t even time to say, Goodbye to Wendell Gee.” I’d been gearing myself up to go see them live for a tour behind the new album (Collapse Into Now). I hadn’t been to an R.E.M. concert since the Green tour, in part because there weren’t any tours for the first two albums in the 90s. By the time they toured again for Monster, I couldn’t handle the crowds of people that would have been in attendance. R.E.M. had been such an incredibly personal and powerful influence in my life and I didn’t like sharing them with people who only knew the hits from the more recent albums.

By 2011 though, I felt the other people who would come out to see them were probably long-time fans like me. Instead I would have to be content with the concerts I’d been to in the 80s. And I am. My memories of those shows are perfect and I’m lucky to have seen them so many times back then.

One benefit of the band calling it a day is that they’ve gone on to other projects that don’t command such a draw. Last summer The Baseball Project played at an outdoor art park not far from where I live. For $15. The last time I’d paid $15 to see Mike Mills play was 1986. I’m not a big baseball person but you don’t pass up an opportunity like that. There were maybe 200 people there. I loved it.

wpid-img_20150610_115901.jpgAfter the show the band stepped off the stage and people gathered to have them sign baseballs and the like. I ran to my car and got my Fables journal. A year or so earlier, I’d won a free Vintage Vinyl Journal and I’d sent in a scratched up copy of Fables that I’d bought from my local record store for $3. I waited my turn and then went up to Mike Mills to get him to sign my journal. I’ve never been an autograph seeker but I felt like I’d regret it if I didn’t do it. We had a short conversation and I got the chance to thank him for making my favorite album and he shook my hand. It’s so fantastic when your musical heroes live up to the impression you’ve built up about them over the years.

I no longer feel like I missed out on a chance to say goodbye on some final tour. Instead other lines from songs on Fables seem appropriate. “Ok, we won’t say goodbye, so long is so much more,” and “time and distance are out of place here.” Here’s to 30 years of Fables.

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